RENDEZ-VOUS WITH FRENCH CINEMA 2014: Un festival de cinéma français à New York



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NEW YORK –February 3, 2014 – The 19th edition of Rendez-Vous with French Cinema, the Film Society of Lincoln Center and Unifrance Films’ celebrated annual showcase of the newest and best in contemporary French film, sweeps across screens at The Film Society of Lincoln Center, the IFC Center and BAMcinématek, March 6 – March 16. The 2014 slate — which consists of 24 feature films making their New York, United States or North American premieres — attests to the sheer variety and vitality of contemporary French filmmaking.

The lineup includes new works from established masters like Bertrand Tavernier, Agnès Jaoui, François Ozon, and Jacques Doillon; critics’ favorites Serge Bozon, Michel Gondry, and the Larrieu brothers; and polymath talents, actor-turned-directors Emmanuelle Bercot, Valeria Bruni Tedeschi, and Nicole Garcia, who have fully come into their own as filmmakers.

Alongside these known names are the key figures that have been anointed by critics as France’s next New Wave: a whole raft of emerging talents, including Ruben Alves, Sébastien Betbeder, Guillaume Brac, Thierry de Peretti, Katell Quillévéré, Axelle Ropert, Justine Triet, and Rebecca Zlotowski, who explore contemporary issues from complex race relations to class warfare. Thierry de Perretti’s Les Apaches made a splash at Cannes last year with its depiction of blunt adolescent sexuality among young delinquents in Corsica, prompting comparisons with Larry Clark. Also acclaimed at Cannes, Rebecca Zlotowski’s Grand Central explores a forbidden romance between young lovers (played by Tahar Rahim and Léa Seydoux), against the ominous backdrop of a nuclear power plant.

“We’re delighted to be welcoming back such a distinguished roster of established names to Rendez-Vous with French Cinema,” said Dennis Lim, the Film Society’s Director of Programming. “But we’re no less thrilled to be introducing audiences to an exciting young generation of directors and actors. The films of this latest French New Wave are notable for their freewheeling energy and immediacy and for their willingness to tackle head-on the complexities and contradictions of 21st-century France. More than a third of the films in our selection are first or second features. It’s also worth noting — as the original French New Wave was very much a boys’ club — that nearly half were directed by women.”

As always, Rendez-Vous brings together many of French cinema’s most beloved actors. Catherine Deneuve delivers one of the finest and most moving performances of her legendary career in Bercot’s On My Way (Opening Night). The peerless Isabelle Huppert reinvents herself yet again — and to great comic effect — in Bozon’s Tip Top. Mathieu Amalric and Emmanuelle Devos, so memorably paired in Arnaud Desplechin’s films, including Kings and Queen, are exquisite together in Sophie Fillière’s If You Don’t, I Will.

Other marquee notables include Romain Duris, Audrey Tautou, Louis Garrel, Omar Sy and Charlotte Gainsbourg. But in keeping with its youthful spirit, this edition of Rendez-Vous also doubles as a showcase for an exciting new generation of breakout actors. Rising stars appearing in multiple movies include Sara Forestier, Louise Bourgoin, François Damiens, and Vincent Macaigne, the It actor of the new French cinema.

“I am delighted to launch this new edition of the Rendez-Vous with French Cinema program. Year after year, this event provides some rich and passionate exchanges between the American audience and French film industry. It is also a great opportunity to show the best of French cinema, and to share some of the French audience’s favorite movies,” says Isabelle Giordano, executive director of Unifrance Films. “We are very pleased to have Ms. Catherine Deneuve, one of the greatest French ambassadors, for the opening night. Among new titles, I’d like to draw your attention to three special themes: the vitality, renewal and richness of French creativity through a focus on first and second feature films; the spotlight on one of the French film industry’s specificities: films directed by women, and finally the exploration of the different ways of French and American story telling. As David Lynch once said, ‘I hope that every movie will be a moment when the spectator will be stirred or amazed.’ I wish you all an excellent festival, filled with wonderful surprises and good films.”

This also marks the third year in a row collaborating with Emerging Pictures on a select number of titles. The films will screen in venues across the country contemporaneously with their showings at Lincoln Center via Emerging’s network of digital theaters. Q&A’s from the Film Society venues will be broadcast live to many of those locations.  Titles and schedule to follow.

Filmmakers and talent who will be in attendance at this year’s festival include Sébastien Betbeder (2 AUTUMNS, 3 WINTERS), Serge Bozon (TIP TOP), Guillaume Brac (TONNERRE), Catherine Deneuve (ON MY WAY), Jacques Doillon (LOVE BATTLES), Michel Gondry (MOOD INDIGO), François Ozon (YOUNG AND BEAUTIFUL), Thierry de Peretti (LES APACHES), Katell Quillévéré (SUZANNE), Axelle Ropert (MISS AND THE DOCTORS), Jean-Paul Salomé (PLAYING DEAD), Bertrand Tavernier (THE FRENCH MINISTER), Justine Triet (THE AGE OF PANIC), Nabil Ben Yadir (THE MARCHERS) and Rebecca Zlotowski (GRAND CENTRAL).

UniFrance films would like to thank Lacoste, LVT, TV5 Monde, Le Point-Rendez-vous en France and Atout France for their support.

For the Film Society of Lincoln Center, Patrons and Members have an advance on-sale date of February 7. IFC Center Members may purchase tickets to IFC Center screenings starting February 7. BAM Cinema Club members may purchase tickets to BAMcinématek screenings beginning February 7. General Public Tickets for the 2014 Rendez-Vous series at all three locations will go on sale February 14.

Tickets are available online for each participating venue at, and respectively, as well as directly from the box offices. For more information, please visit Tickets for Opening Night at the Paris Theater will be available online at

FSLC’s Walter Reade Theater’s address is 165 West 65th St. (between Amsterdam Avenue and Broadway) and the Elinor Bunin Munroe Film Center’s address is 144 West 65th Street (between Amsterdam and Broadway). The IFC Center is located at 323 Sixth Ave. at West 3rd Street. BAMcinématek is located at 30 Lafayette Avenue, Brooklyn. The Paris Theater is located at 4 West 58th Street.

Films, Descriptions & Schedule
Main Venues: BAMcinématek (BAM)/Elinor Bunin Munroe Film Center (EBM)/
IFC Center (IFC)/Walter Reade Theater (WRT)
Opening Night: The Paris Theater (PARIS)

Emmanuelle Bercot, France, 2014, 113m
In French with English subtitles
Catherine Deneuve plays against type and delivers a performance unlike any other in her legendary career as Bettie, a former Breton beauty queen turned bistro owner, in Emmanuelle Bercot’s fourth feature. When her mother (Claude Gensac) tells her that her married lover has ditched her for a 25-year-old beautician’s assistant, Bettie takes to the road with no particular destination in mind and eventually winds up at a dive bar named Le Ranch, where an evening of drunken revelry sets the stage for much tomfoolery to come. Bettie’s resentful daughter Muriel (French pop musician Camille) then asks her mother to chauffeur her son Charly (Nemo Schiffman) to his grandfather’s, and the pair sets out on a trip that will ultimately lead Bettie to revisit her past even as she travels further away from it. Nominated for two 2014 César Awards: Catherine Deneuve (Best Actress) and Nemo Schiffman (Most Promising Actor). A Cohen Media Group release.
Thursday, March 6, 7:30pm – PARIS; Friday, March 7, 6:45pm – BAM; Saturday, March 8, 7:00pm – IFC
In Person: Catherine Deneuve    

Bertrand Tavernier, France, 2013, 113m
In French with English subtitles
The veteran auteur Bertrand Tavernier returns to Rendez-Vous with a sly, energetic film about the daily grind of diplomacy. Arthur (Raphaël Personnaz), a graduate of all the right schools, is the new speechwriter for the Minister of Foreign Affairs (a hilarious Thierry Lhermitte). While he tries to navigate internal politics, the various strong personalities around him (such as a ruthless policy advisor played by Julie Gayet), and the stress of finding the Minister’s “voice,” Arthur must also write a speech for the Minister that will hopefully put them both in the history books. Based on co-screenwriter Antonin Baudry’s own graphic novels about his experience working in the Foreign Ministry under former Foreign (and Prime) Minister Dominique de Villepin, The French Minister takes us for a breathless ride through the halls of French government. Nominated for three 2014 César Awards: Julie Gayet (Best Supporting Actress), Niels Arestrup (Best Supporting Actor), and Antonin Baudry, Christophe Blain and Bertrand Tavernier (Best Adapted Screenplay). A Sundance Selects release.
Sunday, March 16, 3:40pm, 9:00pm – WRT
In Person: Bertrand Tavernier

Sébastien Betbeder, France, 2013, 90m
In French with English subtitles
Director Sébastien Betbeder follows his acclaimed debut, Nights With Theodore, with an endearing, inventive romantic comedy, steeped in offbeat charm and an offhand cinephilia. Sad-sack Arman (Vincent Macaigne) first meets Amélie (Maud Wyler) when he bumps into her while jogging; his attempts at connecting with her fail one after the other, until circumstances grant him the opportunity to rescue her from would-be muggers. Thus begins the story of a relationship by turns breezy and momentous. Alongside his longtime friend from art school, Benjamin (Bastien Bouillon), Arman navigates life with his newfound love. Directly addressing the camera and in monologues that comment on their respective situations, these winning characters describe the trajectory of old-fashioned relationships in this millennial age. A Film Movement release.
Saturday, March 8, 4:00pm – WRT; Sunday, March 9, 5:30pm – IFC
In Person: Sébastien Betbeder

Justine Triet, France, 2013, 90m
In French with English subtitles
During a time of great political change, a frazzled young mother tries to keep it together on the home front. Laetitia (Laetitia Dosch), a cable news reporter off to cover the 2012 French presidential elections, leaves her daughters in the care of a hapless babysitter (Marc-Antoine Vaugeois) with strict instructions to keep them away from Vincent (Vincent Macaigne), her ex-husband and their father. But Vincent, determined to see his kids, disrupts the already chaotic household by enlisting a neighbor to negotiate a divorce agreement with Laetitia – while she’s out reporting amid election crowds in front of Socialist Party headquarters. In her enormously promising first feature, a very funny comedy of discomfort infused with documentary-style energy, director Justine Triet pits micro social problems against the macro body politic of France, all within the frame of one manic day in Paris. Nominated for Best First Film in the 2014 César Awards.
Friday, March 7, 6:30pm – WRT; Saturday, March 8, 3:00pm – BAM; Sunday, March 9, 7:30pm – IFC; Monday, March 10, 1:00pm – WRT
In Person: Justine Triet

Thierry de Peretti, France, 2013, 82m
In French with English subtitles
On the island of Corsica, a tension constantly simmers between the wealthy tourists and the lower-class locals. Aziz and his friends aren’t considering any of this when they break into an empty seaside house, looking for some illicit fun and a pool to lounge beside. But when the owners arrive for their vacation, there are dire consequences for the teenagers, who prove exceedingly easy to track down. Unbeknownst to Aziz, his pals also stole a pair of hunting rifles during the break-in, and might not be as loyal to him as he is to them. An atmospheric thriller simmering with adolescent sexuality, Les Apaches explores aspects of French culture that the mainstream cinema often ignores. The title refers to the slang term used by Paris police for juvenile delinquents, and the film, whose young characters are of Arab and Moroccan descent, narrows in on the subject of racial tension with considerable intelligence and nuance.
Monday, March 10, 12:00pm – EBM; Tuesday, March 11, 6:30pm – WRT; Wednesday, March 12, 7:00pm – IFC
In Person: Thierry de Peretti

Valeria Bruni Tedeschi, France, 2013, 104m
In English, French and Italian with English subtitles
Valeria Bruni Tedeschi’s semi-autobiographical third feature — her first film since the acclaimed Actresses (2007) — is as restless as the character she plays in it. The actress-director-screenwriter (she co-wrote the film with Noémie Lvovsky and Agnès de Sacy) crafts a sad, whimsical and tender portrait of a family whose glory days are over, and who must confront some ugly facts about their present reality: financial troubles, a younger brother dying of AIDS, a sprawling estate they can no longer maintain. Louise (Bruni Tedeschi) herself is approaching her mid 40s, and wants desperately to have a child and find enduring love. This boldly self-revealing, possibly cathartic work draws both directly and obliquely from Bruni Tedeschi’s real life: Louis Garrel, her former partner, plays Nathan, her young French lover; Nathan’s father in the film is a renowned filmmaker who directs his son, as does Garrel’s father, Philippe; and Valeria’s own mother, pianist Marisa Borini, simply plays herself. Marisa Borini is nominated for Best Supporting Actress at the 2014 César Awards.
Monday, March 10, 6:00pm – IFC; Thursday, March 13, 9:00pm – WRT; Sunday, March 16, 6:30pm – WRT

Robin Campillo, France, 2013, 128m
In English, French and Russian with English subtitles
Arriving from all over the Eastern Bloc, the men who loiter around the Gare du Nord train station in Paris are scraping by however they can, forming gangs for support and protection, ever fearful of being caught by the police and deported. When the middle-aged, bourgeois Daniel (Olivier Rabourdin) approaches a boyishly handsome Ukrainian who calls himself Marek for a date, he learns the young man is willing to do anything for some cash. What Daniel intends only as sex-for-hire begets a home invasion and then an unexpectedly profound relationship. The drastically different circumstances of the two men’s lives reveal hidden facets of the city they share. Presented in four parts, this absorbing, continually surprising film by Robin Campillo (director of Les Revenants and a frequent collaborator of Laurent Cantet’s) is centered around relationships that defy easy categorization, in which motivations and desires are poorly understood even by those to whom they belong.
Tuesday, March 11, 9:00pm – WRT; Wednesday, March 12, 1:00pm – WRT; Wednesday, March 12, 9:00pm – IFC

Ruben Alves, France/Portugal, 2013, 95m
In French and Portuguese with English subtitles
José (Joaquim de Alameida) and Maria (Rita Blanco), a middle-aged Portuguese couple, have been living in Paris for 30 years. He is a respected construction foreman and she is the concierge at the ritzy apartment building where they live in a cramped ground-floor flat. Their life has been a fulfilling one, with a grown daughter and a teenage son who have spent their lives in France. But when José inherits the family winery and the opportunity to finally return home becomes tantalizingly within reach, they begin to question the level of comfort they’ve achieved and whether it all has been worth the cost. Alves’s immensely likable semi-autobiographical comedy-drama features a sprawling cast of oddballs and mixes farcical situations with razor-sharp observations about class and generational differences and the difficulty of balancing family and work. Nominated for Best First Film at the 2014 César Awards.
Sunday, March 9, 9:30pm – WRT; Tuesday, March 11, 6:00pm – IFC; Saturday, March 15, 7:15pm – WRT

Nicole Garcia, France, 2013, 95m
In French with English subtitles
Veteran director-actress Nicole Garcia’s refreshingly understated seventh feature follows the formation of an improbable bond between Baptiste (Pierre Rochefort), a commitment-averse substitute teacher, and Mathias (Mathias Brezot), a young student emotionally neglected by his separated parents. Filling in as a temporary surrogate father for Mathias, Baptiste soon finds himself entangled with Mathias’s hard-working, hard-partying mother, Sandra (Louise Bourgoin). When a couple of thugs show up to collect an outstanding debt, the chivalrous Baptiste takes it upon himself to resolve the conflict. Full of sharply and empathetically drawn characters (embodied by an excellent cast, including Dominique Sanda as Baptiste’s mother), Garcia’s intimate film also speaks profoundly about the responsibilities bound up in the connections people forge.
Friday, March 7, 6:00pm – IFC; Monday, March 10, 4:00pm – EBM; Saturday, March 15, 9:30pm – WRT

Rebecca Zlotowski, France/Austria, 2013, 94m
In French with English subtitles
A nuclear power plant serves as the setting for a forbidden romance as volatile as the facility itself in the intense, brilliantly acted second feature from Rebecca Zlotowski (Belle Epine). Gary (A Prophet‘s Tahar Rahim) is a poor, unskilled laborer looking for easy money and a place to fit in. Karole (Léa Seydoux) is the fiancée of longtime plant employee Toni (Denis Ménochet), one of the many underpaid men and women who daily brave illness and possible death from radiation poisoning. Soon Gary and Karole fall rapturously in love, and their moonlit trysts in the bucolic surrounding countryside pose a growing threat to the staff’s tight-knit bonds. Zlotowski focuses both on the everyday routines of the workers and on the swooning passions of the love triangle at the film’s heart, with electronica pulsating on the soundtrack as her characters gamble ever more perilously in work and love. Olivier Gourmet is nominated for Best Supporting Actor at the 2014 César Awards.
Friday, March 7, 9:00pm – WRT; Saturday, March 8, 4:45pm – IFC; Sunday, March 9, 4:30pm – BAM; Monday, March 10, 3:30pm – WRT
In Person: Rebecca Zlotowski

Michel Spinosa, France/India/Belgium, 2014, 108m
In English, French and Tamil with English subtitles
In Michel Spinosa’s emotional, superbly acted drama, a widower named Joseph (Yvan Attal) travels to India to meet Gracie (Janagi), a young Tamil newlywed who knew his late wife, Catherine (Charlotte Gainsbourg), and whose erratic behavior suggests that she may be possessed by the dead woman. Soon enough, Joseph’s journey to the small village near Pondicherry where Gracie lives unveils itself to be not only a form of tribute to Catherine but also a bid for forgiveness. Spinosa (who co-wrote Rendez-Vous 2013 selection Renoir) coaxes magnetic, complex performances from Attal and especially Janagi, who is a revelation as a woman under the influence – of grief and even more mysterious forces.
Friday, March 7, 10:15pm – IFC; Wednesday, March 12, 1:00pm – EBM; 6:30pm – WRT

Sophie Fillières, France, 2014, 102m
In French with English subtitles
Mathieu Amalric and Emmanuelle Devos are Pierre and Pomme, a couple whose marriage is on the verge of collapsing. As Pierre goes through the motions of his daily routine while hardly disguising his anger, a bewildered Pomme slowly absorbs all the signs of impending crisis, searching for ways to reconnect with her partner. “We don’t dance anymore, we grow old,” she complains, before pulling Pierre onto the dance floor at a party. But their attempts to rekindle the passion are inevitably, sometimes comically, thwarted. Can they redefine their relationship or will they end up going their separate ways? During one of their weekend hikes, Pomme reaches a breaking point and decides, quite literally, to get lost. With wry humor and great delicacy, director Sophie Fillières (Gentille) crafts an intimate portrait of a pivotal moment in a long-term relationship.
Friday, March 7, 3:45pm – WRT; Monday, March 10, 10:15pm – IFC; Saturday, March 15, 5:00pm – WRT

Jacques Doillon, France, 2013, 99m
In French with English subtitles
“All my strength, all the force of my love… if I heaped it on you, I’d demolish you”: Jacques Doillon’s latest is a bruising investigation into the fault lines that both separate and connect eroticism and violence. James Thiérrée (an acrobat and performance artist, and also Charlie Chaplin’s grandson) and Sara Forestier play Lui and Elle (“Him and Her”), almost-lovers unable to get on the same page, psychosexually speaking. In regular meetings they strive to resolve the impasse (or perhaps, just to expend pent-up energy) through no-holds-barred wrestling matches. Their “battles” grow in frequency and force, testing the lovers’ bodies as much as their souls. Doillon’s camera captures the astonishing physicality of their lengthy struggles less as a voyeur than as a third, invisible combatant. And as the film intensifies, it evolves from a metaphoric exploration of the nature of human sexuality into something far more visceral and affecting. An Adopt Films release.
Sunday, March 9, 7:30pm – BAM; Monday, March 10, 6:30pm – WRT; Tuesday, March 11, 8:00pm – IFC
In Person: Jacques Doillon

Arnaud and Jean-Marie Larrieu, France/Switzerland, 2013, 110m
In French with English subtitles
It’s good to be Marc. Played by the reliably terrific Mathieu Amalric, he holds a prestigious teaching position at what must be the world’s most beautiful university and is desired by seemingly every comely coed in the Swiss Alps. But this idyllic existence goes awry the morning after, when his latest undergraduate conquest vanishes. Suddenly, it’s not so good to be Marc. A detective begins snooping around and asking questions. Marc’s supervisor, who has a thing for Marc’s sister (whose affections for Marc appear more than familial), informs him that his position may no longer be secure. A sexy student from a prominent family wishes to supplement her education with some extracurricular instruction. And then there’s the matter of the missing coed’s gorgeous stepmother… Everything comes together in this darkly funny thriller with an explosive finale from Arnaud and Jean-Marie Larrieu.
Friday, March 7, 1:00pm – WRT; Sunday, March 9, 9:30pm – IFC; Monday, March 10, 9:15pm – WRT

Nabil Ben Yadir, France/Belgium, 2013, 120m
In French and Arabic with English subtitles
Nabil Ben Yadir’s rousing sophomore feature reconstructs a decisive event in the history of French racial politics: a Mitterand-era demonstration in which nine people marched 930 miles for equality and against racism from Marseilles to Paris, where they were met by more than 100,000 supporters. Compelled to undertake their cross-country trek when Mohamed (Tewfik Jallab) and Hassan (Jamel Debbouze) are victimized by the police, the band of protestors—inspired by Martin Luther King, Jr. and Gandhi—have their resolve tested, but are obliged to soldier on when a Maghrebi teenager is brutally murdered and as they encounter ever more prejudice en route. The Marchers is a monument to the courage of a handful of activists as well as an edifying account of how a small group can bring about enormous shifts in the national consciousness.
Saturday, March 8, 9:45pm – IFC; Sunday, March 9, 1:30pm – WRT; Friday, March 14, 3:30pm – EBM
In Person: Nabil Ben Yadir

Axelle Ropert, France, 2013,100m
In French with English subtitles
Sibling doctors Boris (filmmaker Cédric Kahn, in a revelatory performance) and Dimitri (Laurent Stocker) share a pediatric practice in a working-class Paris arrondissement. But their fraternal bonds and professional relationship are tested when they take on a young diabetic patient and both fall for the girl’s lovely mother (Louise Bourgoin), who tends bar at a local watering hole. The possibility of sharing a life with this woman and her daughter represents something quite different for each brother, and director Axelle Ropert (The Wolberg Family) places their burgeoning rivalry at the heart of this witty, passionate, beautifully observed drama. The cinematography by Céline Bozon (the sister of Tip Top director Serge) gives the urban setting, with its high-rise apartment blocks and Chinese restaurants, a sense of everyday magic, as does Benjamin Esdraffo’s lilting score.
Saturday, March 8, 1:00pm – WRT; Sunday, March 9, 1:00pm – IFC; Monday, March 10, 1:50pm – EBM
In Person: Axelle Ropert

Michel Gondry, France/Belgium, 2013, 95m
In English and French with English subtitles
Eminently inventive Michel Gondry finds an ideal counterpart in Boris Vian, whose novel Foam of the Daze provides the foundation for this manic, visionary love story. Romain Duris plays wealthy bachelor Colin, whose hobbies include developing his pianocktail (a cocktail-making piano) and devouring otherworldly dishes prepared by his trusty chef Nicolas (Omar Sy). When Colin learns that his best friend Chick (Gad Elmaleh), a fellow acolyte of the philosopher Jean-Sol Partre, has a new American girlfriend, our lonely hero attends a friend’s party in hopes of falling in love himself. He soon meets Chloé (Audrey Tautou) and, before they know it, they’re dancing to Duke Ellington and plunging headfirst into a romance that Gondry rapturously depicts as only he can. Nominated for three 2014 César Awards: Étienne Charry (Best Original Music), Florence Fontaine (Best Costume) and Stéphane Rozenbaum (Best Production Design). A Drafthouse Films release.
Sunday, March 9, 7:00pm – WRT; Monday, March 10, 8:00pm – IFC; Monday, March 10, 9:30pm – BAM
In Person: Michel Gondry 

Jean-Paul Salomé, France/Belgium, 2013, 104m
In French with English subtitles
In Jean-Paul Salomé’s seventh feature, the hilarious François Damiens plays Jean, a down-and-out and underemployed actor (not to mention a former César winner!) who, after years of playing tiny roles on canceled TV shows and starring in embarrassing commercials, takes a gig as a performer in a homicide reenactment “produced” by the police at a ski resort in the French Alps. Being an expert at unnecessarily complicating or otherwise ruining any situation in which he finds himself, Jean quickly gets in the way of the case’s chief investigator (Géraldine Nakache), sparking an antagonism-turned-romance as well as a suspenseful whodunit rich with twists, turns and amusing instances of Jean taking himself much too seriously. Filming the reenactment as though it were a movie shoot, Salomé slyly juxtaposes the worlds of forensics and filmmaking, and the result is a rare, uproarious murder mystery.
Saturday, March 8, 6:00pm – BAM; Saturday, March 8, 9:00pm – WRT; Sunday, March 9, 3:15pm – IFC; Friday, March 14, 1:00pm – EBM
In Person: Jean-Paul Salomé

Julie Bertuccelli, France, 2013, 89m
In French with English subtitles
At a secondary school in Paris’s 10th arrondissement there is a “reception class,” where students between the ages of 11 and 15 are taught their first lessons in French. Some of these immigrant children, newly arrived, know a few phrases in the language of their adopted country; others can’t speak a word. Their families have come from all across the globe, from Ireland, Senegal, Morocco, Brazil, and China, fleeing persecution or just looking for a fresh start. Shot over a year, this observational documentary by Julie Bertuccelli (Since Otar Left,The Tree) is a kind of non-fiction counterpart to Laurent Cantet’s Palme d’Or-winning The Class, staying within the confines of the school and recording the children’s candid, sometimes heated discussions and interactions between parents and teachers. The result is both illuminating and extremely touching, a multifaceted look at the French melting pot, its frustrations and its hopes for the future.
Saturday, March 8, 12:45pm – IFC; Sunday, March 16, 1:30pm – WRT

SUZANNE (2013) 94m
Katell Quillévéré, France, 2013, 94m
In French with English subtitles
A coming-of-age story takes on epic proportions in Katell Quillévéré’s follow-up to her lauded debut, Love Like Poison. Suzanne (first played by Apollonia Luisetti and then by Sara Forestier) is a wild child who becomes a mother at 15 and takes up with a local bad boy not long after. Through it all, her widowed father (comic actor François Damiens, in a rare dramatic role) and older sister (Fanie Zanini and Adèle Haenel) try their best to keep the family together. Brilliantly acted, especially by Forestier, Damiens and Haenel, Quillévéré’s film, which compresses some 25 years into an hour and a half, proceeds at a furious pace, episodically and elliptically. What sounds melodramatic on paper is never less than urgent and compelling on screen: each decisive moment in this family saga lands with tremendous emotional force. Nominated for five 2014 César Awards: Sara Forestier (Best Actress), Adele Haenel (Best Supporting Actress), François Damiens (Best Supporting Actor), Paul Hamy (Most Promising Actor), and Katell Quillévéré and Mariette Désert (Best Original Screenplay).
Saturday, March 8, 2:30pm – IFC; Sunday, March 9, 4:30pm – WRT; Wednesday, March 12, 4:00pm – EBM
In Person: Katell Quillévéré

Serge Bozon, France/Luxembourg/Belgium, 2013, 106m
In French and Arabic with English subtitles
Co-written with Axelle Ropert (also featured in this year’s Rendez-Vous with Miss and the Doctors), Bozon’s much-anticipated follow-up to 2007’s La France is a one-of-a-kind screwball procedural adapted from a pulp novel by Welsh writer Bill James. Meticulous and eccentric internal-affairs investigator Esther (Isabelle Huppert) and her mousy new partner Sally (Sandrine Kiberlain), recently demoted due to a mysterious ethics violation, are summoned to look into the Villeneuve police department after the murder of an Algerian informant. As entanglements ensue with belligerent local detective Mendès (a very funny François Damiens), Bozon throws together seemingly mismatched elements with aplomb: exploring the women detectives’ sexual kinks even as he comments on racism and postcolonial tensions. In keeping with its director’s background in criticism, Tip Top is an exploration of policier tropes but also a bold, strange, often delightful film that looks, sounds and moves like nothing else in its genre(s). A Kino Lorber release.
Thursday, March 13, 9:30pm – IFC; Friday, March 14, 1:00pm, 9:00pm – WRT
In Person: Serge Bozon

Guillaume Brac, France, 2013, 100m
In French with English subtitles
Struggling musician Maxime (Vincent Macaigne) moves back to the titular provincial town (which means thunder in French) to live with his father and work on some new songs. But soon he meets Mélodie (Solène Rigot), a beautiful journalist more than a decade his junior. As their fling progresses to full-on enthrallment in a matter of days, all Maxime’s interests become secondary to spending time with Mélodie. Just as suddenly as their relationship began, she texts him a farewell and cuts off all contact. The quaint pleasures and understated tone of the early scenes slowly morph into something resembling a thriller, and as Maxime’s longing transforms into obsession, a palpable dread sets in. Director Guillaume Brac previously collaborated with Macaigne on the acclaimed medium-length film A World Without Women(2011). Tonnerre, Brac’s feature-length debut, is darker and more troubling, a complex and engrossing character study with a brilliantly modulated performance by Macaigne at its center.
Wednesday, March 12, 4:00pm – WRT; Thursday, March 13, 7:00pm – IFC; Friday, March 14, 6:30pm – WRT
In Person: Guillaume Brac

Agnès Jaoui, 2013, France, 112 minutes
In French with English subtitles
Twenty-four-year-old Laura (Agathe Bonitzer) has faith that someday her Prince Charming will suddenly appear. But when such a man does turn up, so does another one — charming in a different way, but equally alluring. In a flash, all of Laura’s assumptions about life and the future become fairy dust. Under the Rainbow is a contemporary fairy tale with more than its share of twists, imbued with the sharp existentialist humor we have come to expect from the duo of Agnès Jaoui and Jean-Pierre Bacri (The Taste of OthersLook at Me). Both once again collaborate on the script and co-star as Pierre and Marian, a comically neurotic middle-aged pair [they aren’t a romantic couple in the film] who, despite being a generation older than Laura, face a similar predicament: how to lead their lives in relation to their sometimes wild dreams and expectations.
Tuesday, March 11, 10:15pm – IFC; Wednesday, March 12, 9:00pm – WRT; Friday, March 14, 3:45pm – FSLC

François Ozon, France, 2013, 95m
In French and German with English subtitles
“No one’s serious at 17,” wrote Arthur Rimbaud. For Isabelle (Géraldine Pailhas), the 17-year-old at the center of François Ozon’s Young & Beautiful, this sentiment may justify the choices she makes over the course of a pivotal year. Divided into four seasons, Isabelle’s foray into prostitution is motivated not by a need for money or control, but rather by an overwhelming desire for self-discovery. Ozon observes her journey without judgment, reflecting on the emotions and insecurities that saturate a young person’s entrance into adulthood. One year removed from In the House (Rendez-Vous ’13), Ozon again proves a master at coaxing strong performances from young actors; Marine Vacth, in her first leading role, is a revelation. Nominated for two 2014 César Awards: Géraldine Pailhas (Best Supporting Actress) and Marine Vacth (Most Promising Actress). A Sundance Selects release.
Friday, March 7, 8:00pm – IFC; Saturday, March 8, 6:30pm – WRT; Saturday, March 8, 9:00pm – BAM
In Person: François Ozon

Film Society of Lincoln Center
Founded in 1969 to celebrate American and international cinema, the Film Society of Lincoln Center works to recognize established and emerging filmmakers, support important new work, and to enhance the awareness, accessibility and understanding of the moving image. Film Society produces the renowned New York Film Festival, a curated selection of the year’s most significant new film work, and presents or collaborates on other annual New York City festivals including Dance on Camera, Film Comment Selects, Human Rights Watch Film Festival, LatinBeat, New Directors/New Films, NewFest, New York African Film Festival, New York Asian Film Festival, New York Jewish Film Festival, Open Roads: New Italian Cinema and Rendez-vous With French Cinema. In addition to publishing the award-winning Film Comment Magazine, Film Society recognizes an artist’s unique achievement in film with the prestigious « Chaplin Award. » The Film Society’s state-of-the-art Walter Reade Theater and the Elinor Bunin Munroe Film Center, located at Lincoln Center, provide a home for year round programs and the New York City film community.

The Film Society receives generous, year-round support from Royal Bank of Canada, Jaeger-LeCoultre, American Airlines, The New York Times, Stonehenge Partners, Stella Artois, the Kobal Collection, Trump International Hotel and Tower, the National Endowment for the Arts, and the New York State Council on the Arts.

For more information, visit and follow @filmlinc on Twitter.

About Unifrance FILMS
Founded in 1949, Unifrance Films is a government-sponsored association of French film industry professionals dedicated to the international promotion of French films. With offices in Paris, New York, Tokyo, Mumbai and Beijing, Unifrance Films provides financial and logistical support to theatrical distributors and major film festivals showcasing new and recent French cinema throughout the world and a French film festival online. For more information, visit


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Les nommés pour les Césars 2014

cérémonie des césars

Les nommés pour les Césars 2014

Meilleur film :

  • Les Garçons et Guillaume, à table !
  • L’inconnu du lac
  • La vie d’Adèle (Palme d’or à Cannes)
  • Neuf Mois ferme
  • Jimmy P.
  • Le Passé
  • La Vénus à la fourrure.

Meilleure actrice :

  • Fanny Ardant (Les Beaux jours)
  • Bérénice Bejo (Le Passé)
  • Catherine Deneuve (Elle s’en va)
  • Sara Forestier (Suzanne)
  • Sandrine Kiberlain (9 mois ferme)
  • Emmanuelle Seigner (Vénus à la fourrure)
  • Léa Seydoux (La Vie d’Adèle).

Meilleur Acteur :

  • Mathieu Amalric (Vénus à la fourrure)
  • Albert Dupontel (9 mois ferme)
  • Guillaume Gallienne (Les garçons et Guillaume, à table !)
  • Fabrice Lucchini (Alceste à bicyclette)
  • Michel Bouquet (Renoir)
  • Mads Mikkelsen (Michael Kohlaas).

Meilleure actrice dans un second rôle :

  • Marisa Borini (Un Château en Italie)
  • Françoise Fabian (Les Garçons et Guillaume, à table !)
  • Julie Gayet (Quai d’Orsay)
  • Adèle Haenel (Suzanne)
  • Géraldine Pailhas (Jeune et Jolie).

Meilleur acteur dans un second rôle :

  • Niels Arestrup (Quai d’Orsay)
  • Patrick Chesnais (Les Beaux Jours)
  • Patrick d’Assumcao (L’Inconnu du lac)
  • François Damiens (Suzanne)
  • Olivier Gourmet (Grand Central).

Meilleur espoir féminin :

  • Lou de Laâge (Jappeloup)
  • Pauline Etienne (La Religieuse),
  • Adèle Exarchopoulos (La Vie d’Adèle)
  • Golshifteh Farahani (Syngué Sabour)
  • Marine Vacth (Jeune et Jolie).

Meilleur espoir masculin :

  • Paul Bartel (Les Petits Princes)
  • Pierre Deladonchamps (L’Inconnu du lac)
  • Paul Hamy (Suzanne)
  • Vincent Macaigne (La Fille du 14 juillet)
  • Nemo Schiffman (Elle s’en va).

Meilleur premier film :

  • La Bataille de Solférino (Justine Triet)
  • La Cage dorée (Ruben Alves)
  • En solitaire (Christophe Offenstein)
  • La Fille du 14 juillet (Antonin Peretjatko)
  • Les Garçons et Guillaume, à table ! (Guillaume Gallienne).

Meilleure adaptation :

  • Guillaume Gallienne (Les Garçons et Guillaume, à table !)
  • Arnaud Desplechin, Julie Peyr, Kent Jones (Jimmy P)
  • Antonin Baudry, Christophe Blain, Bertrand Tavernier (Quai d’Orsay)
  • David Ives, Roman Polanski (La Vénus à la fourrure)
  • Kechiche, Ghalya Lacroix (La Vie d’Adèle).

Meilleur film documentaire :

  • Comment j’ai détesté les maths (Olivier Peyon)
  • Le Dernier des injustes (Claude Lanzmann)
  • Il était une forêt (Luc Jacquet)
  • La Maison de la radio (Nicolas Philibert)
  • Sur le chemin de l’école (Pascal Plisson).

Meilleur scénario :

  • Albert Dupontel (9 mois ferme)
  • Philippe Le Guay (Alceste à bicyclette)
  • Alain Guiraudie (L’Inconnu du lac)
  • Asghar Farhadi (Le Passé)
  • Katell Quillévéré, Mariette Désert (Suzanne)

Un beau dimanche … Un beau film

Pierre Rochefort et Louise Bourgoin
Pierre Rochefort et Louise Bourgoin

Avec « Un beau dimanche » Nicole Garcia nous propose un récit intime et ensoleillé.

Baptiste est instituteur dans le sud de la France. C’est un solitaire : il ne reste jamais plus d’un trimestre au même poste. Lors du week-end de la Pentecôte, il hérite d’un élève oublié par un père négligent. Mathias, c’est son nom, insiste pour passer la journée au bord de la mer.

Sans doute pour retrouver Sandra, sa mère, une belle femme un peu bousculée par la vie, qui fait les saisons dans un restaurant de plage. En une journée, le charme entre Baptiste et Sandra opère. Mais Sandra a des ennuis : elle doit de l’argent, ou se résoudre à un nouveau départ, une nouvelle fuite. Baptiste lui propose de l’aide et le trio imprévu prend la direction du Sud Ouest.

Car pour venir au secours de Sandra, Baptiste doit retourner à ses origines, à ce qu’il y a en lui de plus douloureux, de plus secret : sa famille.

Nicole Garcia s’était plutôt égaré avec « Un balcon à la mer » offrant une oeuvre assez fade, et formellement quelconque, au scénario emprisonnant et convenu, quoi qu’il fut assurément personnel.

Elle revient avec « Un beau dimanche » autrement plus abouti, au casting réunissant son fils Pierre Rochefort, Louise Bourgoin, mais aussi Dominique Sanda et Déborah François.

L’actrice-réalisatrice multi-récompensée aux Césars notamment, femme alerte et passionnée, aime parler de son nouveau film, aime le questionner avec les spectateurs. Lors de l’avant première du film aux Gaumonts de Rennes ce vendredi, peu importe la question, la réponse fut longue, construite en direct, réfléchie, théorique. Si l’exercice des rencontres avec le public ou avec la presse est généralement l’occasion de répéter chaque fois la même réponse aux même questions, on sent chez Nicole Garcia une envie de se détacher de cela, de communiquer avant tout sa passion autour de ce film, voire de se questionner elle même. Elle aime monopoliser la parole, se réapproprier les questions. Quand une question est adressée à Louise Bourgoin ou Pierre Rochefort, elle ne peut s’empêcher de répondre à leur place. Et son naturel prend parfois le dessus sur son goût de la réflexion; offrant quelques vérités très évidentes. Ainsi, lorsqu’une personne demande aux deux jeunes acteurs, pourquoi ils ont accepté le rôle, Nicole Garcia prend la parole, et les invite à répondre « Un très bon scénario »‘. Et son fils suivra, par obligation d’une certaine façon, en forme de boutade également, ne sachant quelle réponse apporter (refuse-t-on un rôle principal quand sa mère nous l’offre ?)

Effectivement, le scénario s’avère bien ficelé, étrange quant au sujet qu’il souhaite développer, semblant brouiller les pistes pour mieux y revenir. La toile se resserre, les portraits s’affinent au fur et à mesure du film, non sans mystère (euphémisme) et l’intrigue principale, la rencontre amoureuse, le romanesque, cher par ailleurs à Nicole Garcia, sert ce qui nous semble le véritable sujet, une réflexion à trois niveaux, la psychologie de Baptiste, la psychologie de sa famille, et la réflexion sociologique autour d’un modèle éducatif.

Nicole Garcia l’avouera à demi-mot, l’origine de ce projet est à chercher du côté de son acteur principal, de son fils, de son propre questionnement vis à vis de l’amour que l’on porte à un enfant, de ce que l’on désire pour lui, qu’il ne désire pas nécessairement pour lui.

Elle s’est également inspiré d’une « connaissance », qu’elle ne désignera évidemment pas.

Le regard posé est particulièrement juste, humain, sincère. Et cette impression nous vient probablement du jeu particulièrement fin de Pierre Rochefort. Il dégage de son jeu, outre le flegmatisme, certains diront une noblesse – héritage de son père Jean Rochefort ?- , un magnétisme, un charisme certain. Principalement lié à cette capacité à intriguer, à entretenir le mystère; mais également dans sa capacité à jouer des paradoxes; frêle voix douce, tendre; discrétion et modestie, mais aussi violence rentrée. Nombreux auraient été les acteurs qui auraient ruiné ce personnage.

Pierre Rochefort nous dira s’être inspiré de textes de Jean-Luc Lagarce sur la thématique du retour du fils, pour trouver son personnage

Nicole Garcia a vu ici très juste, et on ne saurait de fait lui reprocher le passe-droit, il serait très surprenant qu’on ne réentende pas parler de Pierre Rochefort.

Le reste du casting suit, avec peut être un peu moins de lumière, mais que ce soit Louise Bourgoin en serveuse du Sud de la France, mère rattrapée par ses envies de briller, ou Dominique Sanda en mère qui se confronte à ses regrets, et développe une philosophie mi-résignée mi-sage, tous contribuent à la justesse du récit, des portraits.

Louise Bourgoin avait, sur conseil de Nicole Garcia, pris soin de visionner Comme un torrent avec Shirley MacLaine, mais s’est également inspiré de la Dentellière pour préparer son personnage, pour rendre crédible l’intrigue amoureuse entre deux personnages de milieux opposés.

Si une spectatrice dans la salle a cru voir dans la présence de Dominique Sanda une référence à Une femme douce de Robert Bresson, pour notre part, la référence au Jardin des Finzi Contini de Da Sicca nous a semblé bien plus évidente.

La réalisatrice avoue également aimer tourner dans le Sud de la France pour sa lumière, et ses ombres. En cela, elle joue élégamment sur les parts d’ombre et de mystère des personnages. Elle choisit Montpellier, ville qu’elle connaît bien, et cela se voit.

La réflexion menée n’est pas simpliste, elle n’est pas non plus populaire. Elle questionne un modèle d’éducation, une condition de vie qui n’est pas donnée à tout à chacun. Le temps de la narration sert parfaitement celle-ci. Tout à la fois lent et vif, concentré sur un week-end de pentecôte, suffisant pour découvrir toute une biographie de nos deux personnages principaux.

De cette justesse naît l’émotion, l’empathie, le beau film.

Recherche figurants pour un film tourné en bretagne

logo-atb-newRecherche figurant-es pour le tournage d’un long métrage dans la région de Trédrez-Locquémeau Pour le prochain long métrage de Jérôme Cornuau intitulé Chic et produit par Alter Films, avec dans les rôles principaux Fanny Ardant, Marina Hands & Eric Elmosnino, la production recherche des figurants hommes et femmes de plus de 16 ans dans la région de Trédrez-Locquémeau pour une ou plusieurs journées de tournage entre les 19 et 31 mars. Sont particulièrement recherchés : 2 pêcheurs âgés, une vingtaine d’hommes et de femmes entre 40 et 70 ans et 5 jeunes de 16 à 22 ans. La production recherche également une femme de 25-30 ans, grande, aux cheveux châtains longs, pour des scènes où on la verra pagayer sur un canoë en pleine mer. La rémunération sera de 76,24 Euros bruts par jour de tournage pour la figuration. Les personnes intéressées doivent se présenter à l’Office de Tourisme Bretagne – Côte de Granit Rose, 2 quai d’Aiguillon à Lannion le mardi 4 février entre 9H et 12H30 ou 14H et 16H ou envoyer un mail* à avant fin février avec : une photo en pied et un portrait, photos très récentes impératives (max 1 Mo par fichier), nom, prénom, âge, taille et poids, adresse et numéro de téléphone, CV, et disponibilités sur la période. Seules les personnes pré-selectionnées recevront une réponse.

Un magazine pour les cinéphiles